I help photographers of all skill levels learn and master historical and contemporary analog photography methods and workflows.
Creating authentic artwork takes time because it is a deeply personal experience, and the ideas and creative direction form and change over time, just like people. I work diligently exploring the creative methods to bring my artwork to life, and… Read More »The Evolution of My Creative Vision & Narrative For My 2023 Wild Horse Handmade Book
12/19/2022 In today’s video, I share my first test print on Ilford WT FB Glossy paper using my new Ilford XP2 C-41 developed negatives. I made some straight prints from the XP2 negs today on Ilford WT FB Glossy developed… Read More »Darkroom Diary 12/19/2022 – My First Wild Horse Print on Ilford WT From an XP2 Negative
I am just starting my journey with the 19th-century Rawlins Oil handmade printing process for my new wild horse book that I am working on. The historic handmade oil pigment process transcends photography because there are no silver or traditional… Read More »Pouring Gelatin Today For My New Wild Horse oil Prints
If you have been following me recently, then you know that I have been exploring various paths to find my desired process for my new handmade wild horses book. Long story short, that is how I got here. QUICK OVERVIEW… Read More »Exploring Ilford WarmTone FB & Foma 131 Classic FB
I have written several articles over the years about why I continue to choose large and ultra large format photography as my secret weapon, and in this article, I share my current and most relevant reasons why I am still… Read More »Why I Continue To Use Large & Ultra Large Format in 2023
When I think of Edward Weston, I think of a man that used simple tools and techniques to make world-class photographs. I have assembled a lot of research about Weston’s camera gear and methods for you in this article, and… Read More »Reviewing Edward Weston’s Camera Gear & Contact Printing
