A good photograph transcends mere technical execution; it resonates emotionally, tells a compelling story, and leaves a lasting impression on its audience. Ansel Adams, a master of landscape photography, emphasized the importance of perspective when he stated, “A good photograph is knowing where to stand.” This insight underscores the significance of composition and the photographer’s viewpoint in crafting an impactful image. I remember first seeing some of Ansel’s prints in person. I had scheduled a private showing at the St. Louis Art Museum, where I could view ten of his prints, ranging from 8×10 contact prints to large prints in the 30×40 range.
Category Archives: Darkroom Diary
The Modern-Day Newsletter: Reviving Connection in a Social Media Era
In a world where social media reigns supreme, I often find myself reflecting on the old days, when newsletters like Fred Picker’s Zone VI Newsletter would arrive in the mail. Those newsletters felt like an intimate conversation between photographers—an authentic exchange of knowledge, ideas, and inspiration. They weren’t trying to sell you anything or capture likes; they were created for the sheer joy of sharing the craft. As I look to the future of my blog, I want it to feel more like those newsletters—a place where analog photographers can connect, learn, and reflect
Great Art is Rarely Convenient
In a world that prioritizes speed, efficiency, and instant gratification, it’s easy to see why so many photographers choose the path of least resistance. I hear it all the time—I don’t use that process because it takes too long. I don’t shoot large format because it’s inconvenient. I don’t make darkroom prints because digital is easier. Convenience has become the defining factor in how many people approach photography, often at the cost of deeper creative expression.
1 Day – 4 Lenses – 12 Silver Gelatin Paper Negatives – 1 Winner
A few days ago, I had a beautiful morning, so I headed out before sunrise to expose some new silver gelatin paper negatives. I am working on my new Silver Gelatin Paper Negative Video Workshop and need many examples to illustrate the concepts as I team them in the course.
Shout Out to Ultra Large Format Photographers
In this video today, I am reaching out to fellow ultra large format photographers asking about interest on the possibility of coming together and having Tim at Stearman Press making us some daylight development trays (like the 8×10 and 8×20 models).
Has The Digital Age Ruined Photography?
Disclaimer: This article shares my personal thoughts and views about what I believe is happening with photography in modern times, particularly in light of digital methods now that we have 25 years of history with this new approach. I do not intend to hurt anyone’s feelings or start a religious debate about digital vs. film. I am simply sharing my thoughts and reflections. While we may agree or disagree, everyone should be able to express their views respectfully. I welcome your thoughtful and respectful comments even if they don’t align with my views.
Roots of Resilience: Finding Solace Through Solitary Witnesses
Lately, I’ve been navigating days that felt heavy, burdened by responsibilities I could no longer avoid. A recent trip forced me to confront things I had been dreading for a long time. As someone who takes pride in being responsible, I did what needed to be done, but it wasn’t easy. Amid those difficult days, my mind found solace in unexpected places—through thoughts of photography.
Why I Use a Vintage 1906 Graflex 5×7 Large Format Camera and Historic Lenses for My Solitary Witnesses Project
In a world where digital precision and instant gratification dominate, I choose to work with a vintage 1906 Graflex 5×7 large format camera and historic lenses for my Solitary Witnesses project. This decision is not rooted in nostalgia but in purpose. It is about capturing the quiet strength, resilient presence, and peaceful isolation of lone trees standing as silent observers in a rapidly changing world. These trees are more than just subjects; they are symbols of endurance, strength, and solitude, and the tools I use play an essential role in conveying their timeless story.
Darkroom Diary Premium Member Oveview and Getting Started Guide
In this video, I dive into everything you need to know about the Darkroom Diary Premium Membership, including how it differs from my video workshops. I share tips on how to maximize your membership value and make the most of your experience.
New Le Gray Waxed Calotype Paper Negative
Over the past several weeks, I have been working through the 1851 Le Gray waxed paper negative workflow, which he developed based on Dr. Guillot-Saguez’s earlier improvements in 1847. In this article, I share my motivation for trying the Le Gray pre-waxed version and my results.