Category Archives: Darkroom Diary

In an era dominated by digital technology and artificial intelligence (AI), the art of analog black and white photography retains a unique allure. Capturing images on 35mm or medium format film and producing silver gelatin prints in the darkroom offers a tactile and immersive experience that digital methods often lack. This article explores the enduring magic of a full analog workflow and highlights the reasons why it continues to captivate photographers in our modern age.

I am thrilled to announce the release of my newest book, The B&W Film Alchemist: Crafting Modern Film & Developer Pairings for Hybrid Photographers. This 128-page guide is a practical, results-driven resource for photographers who shoot black and white film and scan their negatives for digital post-processing.

There’s a quiet truth most photographers won’t say out loud.
I’ve taken a hard look at what’s really going on beneath the surface of today’s so-called “professional photography.”
It’s not what you think — and it might not be about photography at all. Read my latest article to find out what I believe is really going on under the hood.

In a world that constantly pushes us to define success through productivity and external validation, it’s easy to fall into the trap of feeling like every passion must have a tangible outcome. For photographers, this often means struggling with questions like, “What should I do with my photos?” or “Is my work meaningful enough?” However, what if the true beauty of photography lies not in what we do with the images but in the simple act of creating them?

If any of this sounds familiar, read on. I may have a couple of new ideas for you that you have never considered before.

One of the most persistent myths in alternative photographic circles is the idea that salt prints are not archival—that they fade quickly, degrade over time, and aren’t worth the effort if permanence is your goal.

The smell of developer and fixer hung in the air, a ghostly reminder of a world slipping away. In the dim glow of a single safelight, John traced his fingers over a freshly washed print, still damp, still real. He held it up, turning it this way and that, watching the light dance on its surface. The texture, the depth, the subtle imperfections—all of it whispered of something now endangered.

When I made the decision to downsize my entire darkroom life, I parted with a lot of tools. Cameras, printing gear, trays, chemistry—all the machinery of a life spent mastering nearly every analog process from the 19th century. It was one of the hardest decisions I’ve ever made as a photographer, but I knew I needed clarity, freedom, and simplicity to move forward.

I recently found myself listening to one of Arnold Schwarzenegger’s powerful speeches. As I soaked in his relentless energy and grit, a phrase emerged in my own mind—not something he said, but something that crystallized in response: “Work is inevitable, vision and purpose are optional.”