New Video – Waxing a Handmade Calotype Paper Negative

Tim Sr. - Ultra Large Format - Tim Layton Fine Art

In this new video, I share my personal workflow for waxing my handmade calotype paper negatives using beeswax.

Darkroom Diary Premium Members receive exclusive access to my technical notes, presentations, videos, and chemistry notes used to create handmade calotype paper negatives, wet plate collodion negatives, and salt prints.

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If you’re passionate about analog photography but also value a simpler, more sustainable way to work, then the Darkroom Diary Premium Membership is exactly what you’ve been looking for. As a member, you’ll gain access to my master-level analog workflows—now updated to reflect a more minimalist hybrid approach that blends the soul of analog with the flexibility of digital tools. From large format paper and film negatives to scanning, editing, and archival inkjet printing, I’ll walk you through the entire process in an approachable, thoughtful way. This membership isn’t just about high-quality, proven techniques—it’s an invitation to join a community of like-minded artists who appreciate analog photography and want to grow without the burden of maintaining a full darkroom.

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Published by Tim Layton

Tim Layton is an Ozarks-based analog photographer and writer working with 19th-century processes, handmade paper negatives, and traditional darkroom methods. Through calotypes, silver gelatin paper negatives, salt prints, and platinum/palladium prints, he explores the expressive power of slow photography in a world flooded with disposable images. Using large format cameras and a Pictorial approach, his work is rooted in craft, chemistry, patience, and the belief that handmade photographs still matter.

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