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Where the Flowers Were – Pictorial Whispers 2026 Plate 5
This plate belongs to Pictorial Whispers, my ongoing body of work using flowers, natural light, a vintage window, and 19th-century photographic processes to speak about grief, memory, endurance, and healing.
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Why Silver Gelatin Paper Negatives Never Took Over
As I move deeper into making my own silver gelatin emulsions and paper negatives, I keep coming back to one question: if paper negatives were lighter, easier to carry, and less fragile than glass, why did they remain such a small part of photographic history?
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A Page Left Open – Pictorial Whispers 2026 Plate 4
This plate belongs to Pictorial Whispers, my ongoing body of work using flowers, natural light, a vintage window, and 19th-century photographic processes to speak about grief, memory, endurance, and healing.
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Why I Spend so Much Time Doing Photography
A family member recently asked me why I spend so much time doing photography. At first, I gave the question the respect it deserved. I did not want to answer too quickly. Some questions deserve more than a clever sentence or a passing remark. They deserve stillness, reflection, and honesty.
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Waiting at the Threshold – Pictorial Whispers 2026 Plate 3
This plate belongs to Pictorial Whispers, my ongoing body of work using flowers, natural light, a vintage window, and 19th-century photographic processes to speak about grief, memory, endurance, and healing.