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D-23 Film Developer Formula
There are a lot of film developers I could use, but D-23 remains a staple in my darkroom for one simple reason: it does exactly what I need it to do without unnecessary complexity.
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Photography Is Over. I’m Still Here.
Photography is dead in the way most people knew it in the 20th century. But my photography is alive because it still requires a human eye, a real camera, real light, and a physical print you can hold.
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Ozarks Mill Stories Episode 2: Hodgson Mill — Sycamore, MO | Making the Platinum Print
A century ago, the Ozarks were home to hundreds of water-powered timber and grist mills that anchored work, commerce, and community life. Many sites are now fading from time, weather, and change. This project documents the last surviving mill sites with whole-plate large format handmade platinum/palladium contact prints, paired with concise captions on location, water…
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Ozarks Mill Stories Episode 1: Hodgson Mill — Sycamore, MO | Field Adventure & Film Development
A century ago, the Ozarks were home to hundreds of water-powered timber and grist mills that anchored work, commerce, and community life. Many sites are now fading from time, weather, and change. This project documents the last surviving mill sites with whole-plate large format handmade platinum/palladium contact prints, paired with concise captions on location, water…
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Video – Dry vs Wet Scan of 4×5 Large Format Kodak Ektar Film
In this video, I share how different the results are when scanning film using the dry vs. wet mount methods.